scaffolding in b/w
Apr. 16th, 2011 09:05 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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This is the first time I've conciously thought about what something would look like in b/w while I was taking the pictures. Interesting experience.


Nikon Coolpix 775, auto, macro
PS Is it "cheating" to use a b/w gradient map in Photoshop to transform a colour photo into b/w instead of just using the turn-into-grayscale function? It feels like cheating but the result is so much better I still do it.
Nikon Coolpix 775, auto, macro
PS Is it "cheating" to use a b/w gradient map in Photoshop to transform a colour photo into b/w instead of just using the turn-into-grayscale function? It feels like cheating but the result is so much better I still do it.
(no subject)
Date: 2011-04-16 08:23 pm (UTC)(no subject)
Date: 2011-04-17 08:35 pm (UTC)(no subject)
Date: 2011-04-18 12:34 am (UTC)(no subject)
Date: 2011-04-18 02:17 pm (UTC)(no subject)
Date: 2011-04-18 06:19 pm (UTC)I correct color because my camera sees blues and purples very differently than my eyes do.
Then there's the sheer art of just messing with the potential in a photo: solarizing it down to its structural essence, shoving the saturation way up just for fun.
I have an inexpensive point and shoot camera that doesn't do within its little box body all the things I wish it could. So I do those things outside its body.
Heh. Long answer! Anyway, isn't it interesting how beautiful things which are inherently rather ugly can become in black and white? Both the scaffolding and the rotted timbers are wonderful.
(no subject)
Date: 2011-04-19 05:13 pm (UTC)I know it's silly of me and I try to be a little more adventurous now and then, but it still feels a bit naughty whenever I do it :-)
And yes, it's quite amazing how dramatic and art-y something can look in b/w when in a colour photo it would just looked drab and uninteresting.
(no subject)
Date: 2011-04-19 12:32 pm (UTC)(no subject)
Date: 2011-04-19 05:16 pm (UTC)